Agua que has de BEBER ::..Decile NO a la mineria contaminante

MEDITE NESSE VIDEO E DEIXE AS AGUAS DO TRONO DE DEUS LAVAR TUA ALMA

Duration : 0:8:31

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http://www.solouvor.net
Aline Barros , Aguas do Trono ( DVD )

Duration : 0:5:3

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Desde Bolivia el
Grupo Kalamrka
con el tema
Aguas Claras.

Tinku 100% Boliviano !!!
Tinku 100% Boliviano !!!
Tinku 100% Boliviano !!!
Tinku 100% Boliviano !!!
Tinku 100% Boliviano !!!
Tinku 100% Boliviano !!!
Tinku 100% Boliviano !!!
Tinku 100% Boliviano !!!

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This is the whole video of the sealab’s advertising of CN.
It’s really funny =D

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For stereo, click here: http://vimeo.com/6112209

“Águas de Março” is a Brazilian song composed by Antonio Carlos Jobim. Jobim wrote both the English and Portuguese lyrics. The lyrics do not tell a story, but rather present a series of images that form a collage; nearly every line starts with “É…” (”[It] is…”). In both the Portuguese and English versions of the lyrics, “it” is a stick, a stone, a sliver of glass, a scratch, a cliff, a knot in the wood, a fish, a pin, the end of the road,” and many other things, although some specific references to Brazilian culture (festa da eeira, garrafa de cana), flora (peroba do campo) and folklore (Matita Pereira) were intentionally omitted from the English version, perhaps with the goal of providing a more universal perspective.

All these details swirling around the central metaphor of “the waters of March” can give the impression of the passing of daily life and its continual, inevitable progression towards death, just as the rains of March mark the end of a Brazilian summer. Both sets of lyrics speak of the water being “the promise of life,” perhaps allowing for other, more life-affirming interpretations, and the English contains the additional phrases “the joy in your heart” and the “promise of spring,” a seasonal reference that would be more relevant to most of the English-speaking world.

The inspiration for “Águas de Março” comes from Rio de Janeiro’s rainiest month. March is typically marked by sudden storms with heavy rains and strong winds that cause flooding in many places around the city. The lyrics and the music have a constant downward progression much like the water torrent from those rains flowing in the gutters, which typically would carry sticks, stones, bits of glass, and almost everything and anything. The orchestration creates the illusion of the constant descending of notes much like Shepard tones.
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Paco de Lucia performs a superb live piece (Entre dos Aguas) with a great band.

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Ministério Trazendo a Arca

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Tom e Elis no Fantástico. (1974)

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Águas de Março”) is a bossa nova song composed by Antonio Carlos Jobim. Jobim wrote both the English language and Portuguese lyrics. When writing the English lyrics, Jobim endeavored to avoid words with Latin roots resulting in the English version having more verses than the Portuguese. Another way in which the English lyrics differ from the Portuguese is that the English version treats March from the perspective of an observer in the northern hemisphere. In this context, the waters are the “waters of defrost” in contrast to the rains referenced in the original Portuguese, marking the end of summer and the beginning of the colder season in the southern hemisphere.[1].

In 2001, “Águas de Março” was named as the all-time best Brazilian song in a poll of more than 200 Brazilian journalists, musicians and other artists conducted by Brazil’s leading daily newspaper, Folha de São Paulo.

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Tu és o Dono Senhor!

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